"The Heat of the Moment," the inaugural film of the "Encounter" series, celebrates sex in the now, just as the title suggests. It's further proof that when horny men are in that state, nothing stops them from getting to the meat of the situation. The first three scenes are directed by Tony DiMarco, and the fourth by none other than RuPaul (who has a whole new career facing the multi-talented performer with the sizzler provided here), but the quartet has the no-frills feeling of most Lucas products. The focus is squarely on the sex, the partnerings are ideally planned, and the hot sex is the only issue one need worry about in the moment.

[Scene No. 1: "The Hook-Up"]: Cute brunet Omer is on his computer doing what so many New Yorker's probably do on a solo night: searching for a man! His cute smile peaks when he finds the one he wants. He then resets his couch as a sex bed and waits for his prey to arrive. Goateed Erik Grant arrives, bringing an air of complete confidence with him, and they are momentarily in business. "Getting to know you," comes in the form of heavy making out with clothes on, but that part of the session soon ends when Omer starts sucking Erik's impressive cock. He does so with a beautiful slow sensuality, and a winning deep-throat. Tattooed Erik sucks as well, a greedier blower, hell bent on just gobbling up gorgeous Omer's cock. Erik tosses Omer onto his stomach and eats his ass, making sweet trips back up to his mouth. Omer only gets hotter with each body part exposed, and his ass is certainly no exception. He crawls backwards to make it a 69, Erik still licking his butt and Omer now returning to the suck he does so well. After Erik sucks a bit more, Omer fits his instant mate with a condom and goes to sit on his cock. His very round ass swallows the entire length of the dick and with fast-paced energetic motions from both top and bottom. Omer knows how to ride big, but Erik keeps things moving underneath as well. Erik bends flexible Omer in half and fucks him missionary, rocking all the furniture, Omer hard and cumming soon into it. Erik pulls out and sprinkles on Omer as well.

[Scene No. 2: "Dorm-Room Education"]: True to the very NYC feel of this project, the second scene takes place in a dorm room at NYU. It's a sleepless night for the ultra-hot Blu Kennedy, a scorching redhead with the pale skin. His dark-haired cutesy roommate Danny Bitho ambles in, tears off his clothes and beats off in bed, unaware that Blu is awake. Danny pulls out an enormous uncut cock, much to the awe of Blu. The big-browed Danny soon realizes Blu is awake, and finds out that Blu has watched him jack off before. Danny explains that a girl had teased him all night and the conversation soon finds Danny explaining a previous gay experience, much to Blu's amazement. Both act their parts wonderfully until Blu is finally on his knees sucking Danny. The powerful performer in him is unleashed as he ramps up to a feisty all-out assault on Danny's dick. Danny is packing simply huge, but Blu masterfully handles all available. Surprisingly, Danny reciprocates, if only for a moment before even more surprisingly rimming Blu's superbly ripe ass. He has a grand time readying the ass with his tongue and fingers, awfully eager to solve his blue-ball predicament previously discussed. With Blu in perfect position, Danny and that potent pecker finally get to fuck him. Danny is full of fun gyrations as he slams away at Blu, keeping the theory of the late-night necessary fuck in his mind at all times. Even better, there is very little lighting in this scene, one of the most fully realized and best directed of the piece. Danny fucks Blu missionary with even more hard-driving passion, seeming to increase his energy load with every burst. Actually, they even kiss just before Blu cums being fucked. Danny pulls out to douse Blu's face in cum, then giving Blue a second chance to suck out whatever is left. Add two more to the "I experimented in college" crowd.

[Scene No. 3: "The Job at Hand"]: New York City isn't all brand-new laptops and smart kids down in the Village. There are just as many studly guys working with their hands, as proven by painters Parker Williams and Kent Larson in the third scene. The two outrageously strapping he-men, both with their share of facial hair, take a break and Parker finds a stray magazine that gets his cock hard. All Kent needs to do the same is to see Parker's bulge. Soon there are wearing nothing but random paint splotches and Kent is sucking Parker's cock with his usual zest. The two hairy hunks don't have the immediate chemistry of their predecessors, but they have oodles of experiences between them to force the heat to appear. Kent's sucking is grand and then Parker slurps loudly when it's his turn. Parker soon has Kent rolled in half so he can allow his tongue to dig deeply into Kent's hole. Zealous Parker is at his best working over Kent's hole in prep. Kent turns over to he can poke out his super-muscular rump at Parker and let Parker grind into him with knowing expertise. Kent's ass is naturally welcoming to Parker's eager manipulations, and the fuck is easy play for the beefcake boys. A missionary fuck allows Parker more speed, racing ahead as Kent pumps his cock being fucked. Kent sprays and then sits on Parker's face to get his top to finish.

[Scene No. 4: "Therapy Session"]: Neurotic New Yorkers are the focus of the finale. This scene is drenched in glamour, which is probably not surprising since RuPaul is at the helm. Bruce Beckham is certainly the shrink of my dreams, a luscious extremely handsome man with an ideally muscled body. His patient is Wilson Vasquez, hiding his baby face under some facial hair and his jaw-dropping body under a fetching outfit (which isn't as fetching is what is underneath). The camera comes in tight on their lips as Wilson describes his horrible week. Wilson's big bitable lips let words flow, meaningless, because Bruce is really only watching Wilson. Bruce's lips are sucking his pen, no doubt wishing they were otherwise occupied. Bruce starts to imagine Wilson naked, a sight a doctor should treat with utmost reverence, but which he dreams of sexually. In the fantasy, the two come together, a half an inch separating two sets of hesitant lips until they finally combine and the real session is afoot. Bruce slowly hits the floor and starts to suck Wilson's truly inspiring uncut cock. Pro that he is, he's actually able to deep-throat the monster, giving what I would deem the best blowjob of all so far. There's a true passion in Bruce's work that drives the mechanics of his suck, and the editing constantly reminds the viewer of Wilson's body, which is Bruce's inspiration as well. It's damn amazing and would put lots of guys on their knees. Bruce spends a lot of sucking time staring into Wilson's dreamy eyes, again highlighting how much this moment means to him, turning this from a story that became sexual into an actual true heated fantasy. Wilson settles back on the couch so Bruce can attack from a new position, which he does with the same dedicated élan as before, increasing in intensity every time Wilson deigns to allow him a kiss. Since this is Bruce's fantasy, Wilson also sucks him. Bruce's impressive cock is a bit of a stretch for Wilson, who needs Bruce's face-fucking to keep it going, so it's kept brief. Instead, Wilson bends over the couch and has Bruce eat his delicious hairy ass. Bruce takes the scene back to a place of scorching sensuality, careful lovemaking to the body part instantly available. Wilson then drives his cock down into Bruce's waiting mouth, a tough position for the sucker, but one with Bruce handles with sublime grace. The final of the fantasy finds Wilson fucking Bruce. Wearing a smile that threatens to break open the walls, Bruce very actively bottoms for the immensely hung Wilson. Wilson is no slouch either, knowing just what to do with his hugeness in slowly slithering it through Bruce's butt. No need to rush here. This long scene benefits from the care the two are taking to make it last forever. The title of the video may be "The Heat of the Moment," but that doesn't mean the moment has to roar off to conclusion. These two seem intent on making the moment last a long time. Bruce gets wonderfully vocal as a very calm Wilson furrows his brows and takes control of the scene. Wilson is fully in charge when Bruce is on his back, but he doesn't take advantage still. Instead, he continues a slow pace, almost teasing Bruce with the possibility of a lust pounding, but instead using a lack of speed to prove depth and adhere to the strict attitude of the scene. The lusty stares from four sexy eyes continue almost unabated, no matter how the fuck continues. In a nice turn, the cumming happens with Wilson tickling Bruce's face with his cock. Bruce pops first and then Wilson lays is on Bruce's face. That's an important gesture, because their faces have been such a focus of this scene.

DVD features: Chapters; model biographies; additional footage (more from Bruce and Wilson); behind-the-scenes footage; interviews (including a dissection of the Bruce and Wilson scene with RuPaul); trailers ("Fire Island Cruising 7," "Dangerous Liaisons," "Manhattan Heat," "Lost," "Fire Island Cruising 6," "Fire Island Cruising 5," "Auditions 4," "Auditions 3," "Auditions 2," "Auditions," "Vengeance 2," "Hunt and Plunge," Strangers of the Night," "Apartments," "Uncovered," "Fire Island Cruising 4," "Fire Island Cruising 3," "Lucas on Top," "To Moscow With Love: Part Two," "Inside Paris," "Pick of the Pack," "Fire Island Cruising 2," "Lifestyles," "To Moscow With Love," "Vengeance," "Director's Uncut," "Top to Bottom," "Fire Island Cruising," "Getting Around" and "Restless"); and no regional coding (playable worldwide).

A DVD Review by Brent Blue