In my view, director Paul Morris is the undisputed master of capturing raw and real sex on camera, and is adding a few more names to the pantheon of cumbuckets and the men who fill them with "Fucktards." There's already quite a few notable names in the T.I.M. pantheon: Dawson, Jesse O'Toole, Brad McGuire, Damon Dogg, but anyone familiar with T.I.M. knows there's always room for more. In the opening, the director makes a point of introducing Pony and Trevor, two members of his film crew. We also get to meet his two en making their debuts: John Dahl and The Fucktard. And while this is not his T.I.M. debut, Jackson Taylor is the sweet cream that rises to the top.
The pairing of John Dahl and Luca Bondi is titled "Primal." The scene is aptly named and Mr. Morris sure as fuck knows how to open a flick. John doesn't even waste time sucking on Luca's thick, slightly curved monster, he just scoots himself back on the hotel room bed and opens his legs. That moment where a top pierces ass is so often glossed over, especially in more conventional gay porn, but this director and his crew attempt to show viewers what it must feel like to be either top or bottom, so he puts his camera in close, exactly where it needs to be. I've got to hand it to John, Luca's cock is a lot to handle, a challenge for even the most experienced bottoms. Luca pauses ever so briefly before he sinks his cock to the hilt in about one second, then starts right in fucking. It takes a pro to take on so much cock, so fast. My hat's off to you, John.
We meet The Fucktard in a segment titled "3-n-1." He's one of three tops (Christian Rock and Ty Roberts complete the triad) completely using Chris Kohl. Chris is abused in every way possible -- verbally, orally, anally. They double-penetrate Chris, pull his hair, slap his face, insult him -- nothing deters this powerbottom from getting the cock he craves. As for The Fucktard, it's his strange commentary while he's on camera that probably earned him the moniker. This is one dude you'd rather watch fuck or get fucked than listen to (see: The Fucktard monologue chapter).
The "Street Whore" segment with Ty Roberts is quite literal and I think one of the most raw parts of the film. They hire a $50-dollar ginger-haired whore for Ty to play with, then they film what happens. For the majority of the fucking, Ty awkwardly and comically has his pants and jock pushed down around his calves. He can't be bothered with getting fully undressed, and it's that unabashed eagerness which makes this "paid" encounter a sizzler.
"One Saturday Night" is, hands-down, my favorite footage throughout. What we get is a sweaty, lubed-up, greasy dog-pile with Jackson Taylor as the group's fulcrum. The action takes place over the course of an entire evening, from 6:30 p.m. into the wee hours, groups of men coming and going, using Jackson's various holes to satisfy the nastiest of urges. The scene buzzes with cross-generational energy. Jackson can't be more than 22, and with the exception of one or two, all the tops who use Jackson have, at the minimum, ten years on this smooth, pale-skinned twink. My favorite is Nick Moretti, probably because he made the crossover from more sterile, conventional gay porn (think Falcon and Hot House) to the dark side. Matched with Jackson, he shows tenderness where some of the other tops definitely did not, fueling the whole forbidden dad-son fantasy.
And these are just the highlights. It's impossible to digest this flick in one sitting (trust me on this one) because there's too much to enjoy. While I'm not to the point where I'm ready to run out and get a skull-and-sword T.I.M. tattoo like some diehard fans, I can't wait to see what they're going to do next.
DVD features: Chapters; cum-shots chapter; monologue (The Fucktard); deleted footage; and no regional coding (playable worldwide).
A DVD Review by Rick Forrent ( http://www.ManNet.com)
*** Highly, Highly Recommended ***