Gay Erotic Video Index

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Behind the Barn

Distributor Released Vendor ID
Target Studios 1977 VJ-13; VJ-138
Also known as:

Country Style

Distributor Released Vendor ID
Bullet Productions ? 520
Length:
200'
Media:
Film; color
Performer Action
Bo Gantry OgrAtbRr
Dak (target) OgrAtbRg
Action notes:
O=Oral; A=Anal; R=Rim; g=give; r=receive; b=bottom; t=top;

Bo Gantry

Dak (target)

Bo goes searching for help when his car breaks down. He comes across Dak who is stimulating himself to an accompaniment of a porn mag. Bo hates to see a dick played solo so he promptly strips down and applies his warm lips to it. Bo gets Dak to return the blow job and then they switch asses back and forth too. Energetic sex.

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Promo:

The Time: A hot summer afternoon

The Place: A picturesque farm in New England

The Cast: DAK and BO GANTRY

The Story: Dak, the innocent farmboy, is getting his jollies behind the barn with the aid of a hot magazine when he's caught in the act by Bo, who is looking for mechanical assistance. Well! Being the Good Samaritan that he is, Bo demonstrates that hot, throbbing flesh is infinitely more satisfying than a two-dimensional image, and Dak proves to be a most willing student - and perhaps not quite so innocent after all!

The Result: A happy ending for all concerned and a groovy new experience for you.

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Promo:

The Advocate stated: "Some of the most beautiful color and outdoor sequences we've seen to date. Rich, romantic lighting, erotic angles, expert editing and rock steady shooting." A winner!

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Market Reports Newsletter:

Setting: outdoors, behind a weathered barn - beginning & end shows a Ford van near a cabin.

Performer 1: Bo Gentry, age about 25, Cauc., hair blonde short, body big frame well built very clean, cut

Performer 2: Dak, age about 22, Cauc., hair red-br. collar lgth., body med. frame well blt. very clean, cut, mustache

Special Interest Notes: clean bodied stud types, developed build

Action Sequence: model 1 works on his van alongside an old cabin. Scene cuts to model 2, behind a weathered barn, jacking himself as he looks at a magazine. He is observed - caught! - by model 1, watching him from the corner of the barn. 1 sneaks up on 2, who stands at the confrontation. 1 advances, makes friendly advances, and 2 resumes his beating off. They strip each other piece-meal, and 1 kisses & nuzzles his way down to 2's cock, starts to suck it. 2 plays with 1's ass, massaging and stretching. There is some kissing, then 2 sucks 1. Standing. 1 tucks 2 as 2 jacks himself and model 1 kisses and nuzzles him as they do it. 1 sucks 2. lying in tall grass of a field. 2 then fucks 1 facing as 1 jacks himself. 1 and 2 then jack together, and 2 possibly rims 1, not specific. 1 cums, and they embrace. The scene returns to the van, where model 2 tweaks a wire or two, seemingly fixes whatever was wrong with it.

Subjective Observations: both models are well know, popular. The screwing is very non-specific, possibly simulated. The film is nonetheless highly erotic, seems to transcend simple carnality. Can be enjoyed with or without arousal as an objective.

Technical Observations: excellent color, strong clear picture - expert cinematography.

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The Informant:

This is a very erotic film featuring a pair of hunky models of the type which this studio is known for, masculine and goodlooking. Young Dak is out behind the barn of this very rustic farm. doing what lonely farmboys do, when enters this strapping Levi-clad cowboy to watch and then join in the fun. But cowboy Bo is interested in more than just a j/o scene and Dak proves willing and worthy of the other's intentions. There, in the tall grass, these studs get into the action we all came to see. And they don't disappoint.

Both models are cut. An excellent film.

Found in these collections:
Blue Vanities Tape 301
Bullet Videopac 4
TVC-3
References:
"Green Light Review" The Informant Apr. 1977 pg. 4 (Review)
"Behind the Barn" Market Reports Newsletter Vol. 5 No. 4 May 26, 1977 pg. R2 (Review)
Target Studios. Blueboy Vol. 15 Dec. 1977 pg. 60 (Advertisement)
Note: All names credited on this website, whether for performance or production should be considered fictional stage names. Any resemblance to actual persons, living, dead or otherwise, is purely coincidental.
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