![]() | Gay Erotic Video Index | |
This site offers sexually explicit gay male adult content. Images and text contained on this site are adult in nature, depicting male homosexuality that may, by some, be considered objectionable and that may not be viewed by anyone under the age of majority. | ||
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Policeman Richard Locke starts topping Clay at gunpoint in a prison cell. By the time the scene is over, Clay has the uniform on and Richard is on the bottom. ------ Promo: Definitely one of the highlights of the entire series, this film contains some of the greatest "behind bars" footage ever captured. Clay continues to be at the mercy of the cop, Richard Locke; sucking his cock and submitting to the powerful thrustings of a massive tool. These two films are not to be missed! ------ Clay accommodates Richard in every way possible until Richard, the motorcycle cop, proves to Clay that.ignorance of the law is no excuse. This jail has no problem with prisoners busting out; instead new recruits are always trying to get in! ------ See the magazine Outtakes 1 by Griffin International. ------ Market Reports Newsletter: Action Sequence: They continue, 69ing on the floor. The prisoner sucks the cop's cock, who mouth-fucks him. More kissyface. The cop then feeds his cock up the prisoner's ass, fucks him face to face, as the prisoner beats his meat. Then the cop sucks his cock, and the prisoner works to get it back up by jacking it as the cop licks his balls. The cop uniform then starts showing up on the prisoner piecemeal as they continue to play body games. The cop finally jacks off on the prisoner's face, and the prisoner is seen jacking himself again as the film ends. |
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found in these collections |
Blue Vanities Tape 74 Dreamer Griffin International loops Hairy Muscle Daddy 3, Vintage Bareback |
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references | "The Dreamer" Market Reports Newsletter Vol. 4 No. 5-6 Aug. 5, 1976 pg. R10 (Review) | ||||||||||||||||||||||||||||||||||||
Note: All names credited on this website, whether for performance or production should be considered fictional stage names. Any resemblance to actual persons, living, dead or otherwise, is purely coincidental. | |||||||||||||||||||||||||||||||||||||
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