WARNING!
Distributor | Released | Length | Vendor ID |
---|---|---|---|
Vitruvian Productions | 1978 | 110 | |
Mustang Studios | 1976 | 112 | |
Bijou Video | ? | 112 | 82 |
Description source: promotional material
From backpacker Ron Miles' first glimpse of the naked sunbathers at the waterfall to the precedent setting "Gang Bang: of virgin Gary Young by nine heavy hung hard meat studs... to Steve Boyd's incredible three-way, using his thick ten-incher in every possible hole... including the now famous "swing scene:" with Rusty Adams and Dane Tremmel, considered one of the most intense sex scenes ever filmed. Raw Country brings you the excitement and passion of hot studs unrestrained.
You will watch the subtle seduction of Hugh Davidson by Brain Delaney as Ron Miles get his ow cock sucked by Warren Edwards, and Warren's own frenzied climax, shooting gushing loads of creamy jism. Be witness to the eagerness of Scott Larsen and Warren as they waste no time joining hot cock, mouths and assholes in frantic male sex.
Finally watch the final seduction of Ron by Dane Tremmel, as the straight backpacker finds himself avidly sucking his first hard stiff cock and feeling Dane's excited tongue exploring his virgin asshole. Feel the slow sensual passion of two real men exploring each other's bodies in unendurable pleasure.
A full two hours of the hottest sex, best hung studs and beautiful photography, now available from Brentwood exclusively on two hour video cassettes, let your fantasies come true in J. Brian's "Raw Country".
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Market Reports Newsletter:
Setting: forest and mountain grotto with waterfalls, pool, surrounded by huge rocky outcroppings.
Performers: 12 or more. Many participants, the cast is made up of very well built, natural looking masculine stud types, mainly in the early 20's. There are three or four who may be late teens, and who could also qualify as more generally attractive. All are clean cut types.
Special Interest Classification: an anthology of scenes connected mainly by proximity to the area; there is a loose plot involving a straight voyeur who gets into it.
Technical Observations: The results of cutting a full sound 16mm feature length film into home viewing reels is particularly interesting in this instance - it has been done before, to be sure, but not with a film that depended as heavily upon the sound track as RAW COUNTRY does. It was filmed with full sync sound, with specially planned music tracks over-dubbed to carry out certain theme concepts.
For those who saw the theatre feature, these reels will be an excellent chance to have a visual "notebook" of the scenes they liked best. The cut version is about half the full length feature, and the cutting has been done to minimize the loss of the sound track. In doing this, some of the plot elements of the feature are lost or obscured, making the silent reels quite different in the feeling they generate from the original concept. However, they do stand well on their own, and allow the viewer to select some very interesting footage according to individual taste.
There are too many models in the film (12 plus, we understand, an extra or two who were pulled into original scenes as needed) to discuss in detail. Attention is suggested to the stills in the safes brochure to assess the model types. The prose used in that brochure is a little flamboyant, and in our opinion, doesn't convey the content with outstanding accuracy.
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[J. Brian considered this his best film.]