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Song of the Loon

Distributor	Released	Length
Sawyer Productions	1970	85

Category:

Softcore

Studio:

Studio One Amusements

Rating Out of 4:

Overall: ***

Action: **

Storyline: ***

Videography: ***

Produced:

Type:

Shot on film

Location:

Trinity Alps
Big Pines National Reserve

Buy or view this production at

Buy this production at

Production Credits

Director:

Andrew Herbert Skylar Robbins

Cinematography:

Robert Maxwell

Joe Tiffenbach

Editor:

Andrew Herbert

Make-up:

Nora Maxwell

Music Editing:

Serge Goncharoff

Producer:

Richard Amory

Production Supr.:

Budd Costello

Sound:

Kenneth Carlson

Writer:

Richard Amory

Cast Credits

Performer [Role]

Brad Della Valle

[Tsi-Nokha]

Brad Fredericks

[Mr. Calvin]

John Drake (70s)

[Luke]

John Iverson

[Cyrus Wheelwright]

John Kalfas

[Singing Heron]

Jon Evans

[Montgomery]

Lancer Ward

[John]

Lucky Manning

[Bear-Who-Dreams]

Martin Velez

[Acomas]

Michael Traxon

[Tiasholah]

Morgan Royce

[Ephraim MacIver]

Robert Vilardi

[Plum-of-the-Night]

Richard Hoyt

[guru]

U=Uncredited performance;

John Iverson

John Kalfas

Michael Traxon

Morgan Royce

Description source: bjland.ws

Skylar Robbins and Joe Tiffenbach were fired after the film was mostly complete. It was finished by one man, credited as Andrew Herbert and Robert Maxwell.

The first gay softcore feature opens at the Paris theater in Los Angeles, March 11th, 1970.

Filmed partly in the Trinity Alps in California.

Scene source: promotional material

No scene information available

References:

Siebenand, Paul. The Beginnings of Gay Cinema in Los Angeles: The Industry and the Audience. Los Angles, CA: USC, 1975 pg. 28,42,273,283

Michael Llewellyn. "Homosex in the Cinema" Mandate Vol. 2 No. 22 Feb. 1977 pg. 33 (Essay)

Physique Pictorial Vol. 31 Aug. 1978 pg. 31

Harold Fairbanks. "The All-Male Film" Stallion Vol. 1 No. 2 May 1982 pg. 22 (Essay)

"100 Best Videos" Studflix Vol. 5 No. 6 Oct. 1987 pg. 6 (Review)

Note: All names credited on this website, whether for performance or production should be considered fictional stage names. Any resemblance to actual persons, living, dead or otherwise, is purely coincidental.

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Song of the Loon