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title |
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stats/info |
category |
General Hardcore |
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studio |
Satellite Video |
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rating out of 4 |
** |
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produced |
? |
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type |
Collection |
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body types |
Black |
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Buy or view this production at
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Buy this production at
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production
credits |
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cast
credits |
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promo/
description |
source: Kent J. |
The last scene is only the last 5 minutes of “The Genie”, from Bullet Videopac 8. Probably the only reason to watch this film is to see scene 1 for “13” Pipeline”. I’d recommend watching the Bullet Videopac for the last two, and the 2nd reel is an example of how not to make a film. It looks like someone’s school project. |
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scenes /
loops /
matches |
source:
promotional material |
1. 13" Pipeline 300'
Taurus (black) Or, Bobby Lee Og
It's no bull that Taurus has a 13" pipeline... and to give you enough time to size him up, his first red-hot film runs a full 300'. You can't blame a guy with a whopper like this one for being proud to display it from every angle, and in sensational close-ups. Taurus gets some devoted service from his friend Bobby Lee, then show his independence in the most exciting "do-it-yourself" exhibition ever put on film. If you're look for the BIGGEST in new films, 13" Pipeline wins by a length!
see also J&H Productions loops |
2. The Film Maker
Kent in Maine: Two unidentified black models. "The Film Maker" starts with a long stationery shot of a lighter man sucking a darker man. Then the wrong man ends up on top. The film maker provides close ups of a Remington typewriter & a pay phone. |
3. Black Steel 200'
Tom (Black Stallion) solo
Kent Masters promo: He's just a little beyond real. Real guys just aren't that good-looking… aren't that built… don't have rears that melon-shaped… aren't that massively hung. But Tom is real, all right, as you'll see in a motion picture that develops from an erotic cameo beginning to an explosive climax. ------ Target promo: Solo by Tom, nicknamed The Black Stallion, a black fellow with a gym perfect body. He gives us squirt gun shots of goo from his uncut rod.
found in collection Bullet Videopac 8
found in compilation Solo Flight (LeSalon)
found in collection Connoisseur Collector Classics
see also Kent Masters loops |
4. The Genie, pt 2 283.4'
Glen Dime OgrAbRgr, Jeff Cameron (ts) OrgAtRrg
Borrowing an idea from Boys in the Sand, Jeff gets into the all-together besides a pool. Making a wish, he causes Glen to pop into the picture. Sucking and rimming ends with Jeff topping Glen multiple ways. Promo: In his world travels, Jeff has acquired a beautiful and mysterious stone bird from Thailand, and with it the legend that if you whisper your secret desires into its ear it will grant your wish. Jeff gives it a try and conjures up the hunkiest genie this side of the Arabian Nights. Glen proves all to mortal and eager to satisfy Jeff's lusty desires (as every good genie should) and then disappears, leaving Jeff alone once more with his mysterious effigy. Promo: Jeff Cameron makes a wish for someone to share his solitude and Glen Dime materializes out of nowhere! Who could ask for anything more? ------ Promo pt 2: Jeff Cameron makes a wish for someone to share his solitude and Glen Dime materializes out of nowhere! Who could ask for anything more? ------ Market Reports Newsletter: A pair of mature, heavily muscled types enact a fantasy about the magical powers of a piece of sculpture from the Far East. Jeff Cameron has brown curly short hair. Glen Dime is bulkier bodied, with black moderately long hair and a short beard. Jeff comes out of a small cottage next to a swimming pool and leans of the Thai sculpture while he makes his wish Dime is seen surfacing from the depths of the swimming pool to join him for sex ending up with Cameron screwing Dime in a long, slow scene. Both climax. The color and print quality are both superlative, the film well made, for those who prefer older, heavy-built mature models.
found in collection Bullet Videopac 8
found in collection Blue Vanities Tape 334 |
action notes: |
O=Oral;
A=Anal;
R=Rim;
g=give;
r=receive;
b=bottom;
t=top;
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awards |
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contained in |
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reviews |
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references |
Christopher Parrish. "State of the Art: Afro-disiacs" Manshots Vol. 1 No. 7 Aug. 1989 pg. 19 (Essay) |
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Note: All names credited on this website, whether for performance or production should be considered fictional stage names. Any resemblance to actual persons, living, dead or otherwise, is purely coincidental. |
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