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Gay Erotic Video Index
WARNING!
This site offers sexually explicit
adult content. Images and text contained on this site are adult in
nature, depicting sexuality that may, by some, be considered
objectionable and that may
not be viewed by anyone under the age of majority.
In a room next to a kitchen with two red folding chairs, then in a different room with white walls, beige carpet, a TV sitting on the floor, and a black wood burning stove.
In a room with white paneling and blue trim, a colorful sign reading 'Surgecom' on the wall, a white desk with a keyboard, a black chair, and an aluminum suitcase with different sized dick pumps from San Francisco Pump Works. This scene continues between the remaining scenes as Justin is shown trying out the different pumps on his dick, balls and nipples.
In the main room of a bar with white walls, a long wooden bar, stools with green cushions, a scrambled TV mounted near the ceiling, and a silver ladder.
In a living room with a beige couch, a TV in a brown entertainment stand, a large sliding glass door with open blinds, and a covered patio outside. Tony and Jeff have sex on the couch, David watches from outside for a while before hooking up with Mike in a room with long white curtains and blue carpet. Jeff sucks his own cockhead and licks the cum from it after he gets off.
Al and Butch move to the back of a white van with various cables, helmets and equipment, a silver ladder, and a pair of footlockers, one bright blue and the other dark blue. Justin is the dispatcher and can hear Al and Butch having sex via the radio so he gives the pumps a rest and jacks off.
References:
D.R.. "New Videos: Very Receptive" Manshots Vol. 2 No. 5 Feb. 1990 pg. 33 (Review)
Jerry Douglas. "Behind the Camera" Manshots Vol. 2 No. 8 Jul. 1990 pg. 6 (Interview/Pictures)
Jerry Douglas. "Surge Studio Part 2" Manshots Vol. 3 No. 1 Oct. 1990 pg. 6 (Essay)
Note: All names credited on this website, whether for
performance or production should be considered fictional stage names.
Any resemblance to actual persons, living, dead or otherwise, is
purely coincidental.