In his first venture into serious ballet, Pat Rocco presents Brian Reynolds in a soul-searching story of birth, life, and love. With exceptionally beautiful choreography by Lynn MacMurrey, we see Brian "being born" in an array of multicolored patterns, finally bursting forth into life by discovering himself alone on top of a mountain. Upon seeing himself for the first time in a clear mountain pool, he becomes keenly aware of his loneliness and ventures forth in search of love. Dancing up and down streets (nude) he finally comes upon Erik Carlson. Immediately the scene changes to an all black background as the two perform a pas de deux of love and lovemaking that must be seen to be truly appreciated. This is the first known nude ballet performed by two males that has ever been presented on the screen, and it promises to be one of the most successful films to ever come from Pat Rocco's Bizarre Productions.

"A Breath of Love" has been selected for entry in the San Francisco International Film Festival. This is the first time that an all-nude male film has been selected for this world-renowned event. [Introduced by Bette Davis at the festival.]

Voldemar was making his fifth film for Pat Rocco as he starred with John Helm and Bobby Lee in this tawdry tale of unfaithfulness. This was Johns first film and he proved to be such a hit with the audience and the press, that he was immediately signed for two more. Oddly enough, John never appears nude in this film, and the few pictures were taken only for publicity purposes. Voldemar gives one of his best performances as the boy who decides to play around while the "man of the house" is away on a trip. The surprise ending is a shattering bit of madness, as Pat Rocco comes through with another fine film.

Nude models Gary Miller & Robert Weaver stalk each other animalistically, circling in a grassy field, then ultimately come close enough to engage in a romantic kiss.

Entered into the San Francisco International Erotic Film Festival.

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Two short films are combined on one reel for this film. Davy stars in "Sailor Stud at Large" and Dennis & Tim star in "Boys in the Woods".

(P.S.: Davy is rather unbelievable in this one!)

Jim in No Jeans

Davy in Sailor Stud at Large

David in No Rain Today

Mickey & Gary in Teenage Pals

Big Mike in These Boots

Darryl in The Wood Nymph

Dale in Cool Mountain

Ken in The Magic Cape

Chip in Hideaway

Tim & Dennis in Boys in the Woods

Shannon in A Place in the Shade

Ken & Frank in Hippie Monks

Nick in City View

Alan in Leather and Wheels

Kenny in The Hill

Roger in Bare Muscles

These five boys star in this short film which takes place both outdoors and indoors ..... where there are LESS INHIBITIONS!

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One catalog lists Allan, Mickey & 3 others and other catalogs list Alan & Michael. Michael is also called Mike and doesn't look like any of the pictures in the cast of 5.

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Ted proudly display his "big muscle" in this short film of the same name.

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Lee is beautiful in this film as the naked swimmer.

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Erik waders restlessly in this film and does so in the nude.

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Spanish-born Jose display his "ALL" in this rather unusual film.

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Mitch wanders naked in the woods in this film containing many revealing closeups.

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We go "around the world" of naked Tom in this motion picture which is also available in the Super 8 size.

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This film, which shows off Matt to his very "biggest" advantage, is also available in the Super 8 size.

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Glen is shown escaping from jail, shedding his togs in the great outdoors, and finding a "toy" which allows him to release certain body movements to their fullest! This one is a "must see" film!

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Complete with disappearing boys, clothes, magic wands & goodies like that, this film is just that... magic! And it's a "fun" film.

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This group of [4?] boys star in a ... "trick photography movie..."

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"Magic in the Raw" is camp and quite cute, as a frustrated nelly magician does his trick (an appearing-disappearing act) with three boys. But somehow he manages to botch up the whole brew . . ."

Sam Winston

Los Angeles ADVOCATE

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Truly one of the most unusual films we have ever offered!! Jason performs and goes WILD as does the cameraman .... in this new demention of madness. Available only in color- - - when you see it you will know why!

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Jason goes stark raving insane in this wild montage of color, nudity, dancing and a climax ..... a film of absolute madness!

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Tex stars in a slow motion romp that will make you yell the title Yahoooooooooooooooo

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Texas Blake swings free and easy in this slow motion romp allowing for a 'detailed' study of all moving parts.

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A sequel to the highly successful, "Mid-Boy", Part One, this film shows the pups of Venus (now six weeks old) about to be given to their new masters. In addition to starring Frank Russell and Venus who also played in the original, Part Two features guest appearances by Voldemar, Ron Barone & Brad Leland.

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Getting dressed for a costume Party can be hell but Duane manages to try on several items that "arouse" his interest in this film.

Just a guy up a tree ... but HOW it's done! Rocco can display an ordinary model with breathless brilliance ... and Ron Dilly is no ordinary model!

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Jerry runs down the middle of the famed Sunset Strip stark naked in this superimposed version.

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We think you will like Mack - so we named his short film, Like Mack".

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Cal Mason is the "reclining cowboy" who teases you down to your toes as he stretches out and displays his "fullness" at the right moment!

Not one, not two, but three Greg Lions in red, blue & green get together for a special "show" in this film.

This is truly a surprise as Bob slowly removes the sheets from Garth's naked body as he sleeps. His hand caresses his smooth body as Garth awakens... a tussle ensues and the boys end up in each other's arms.

"The best film on the current program is "Early to Bed," and erotic frustration in which one boy desires another. There's an undercurrent of frustration and longing ... charged sexuality of atmosphere ... pretty good stuff. Rocco is the most interesting filmmaker I know in this particular genre."

Richard Whitehall

OPEN CITY

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Starting out on the simple premise of two boys on a nudist picnic, a pair of stilts are discovered and the fun begins. They each take turns on the stilts and are somewhat unsuccessful in their first attempts. Now upon the scene arrives two more young men, and after sharing a few Cokes, they try their hand at the stilts and are also unsuccessful. Then our "leader" comes up with some unusual toys - four pogo sticks! As the boys start on this new adventure the slow-motion camera captures them "pogo-ing" up and down --- their muscles and limbs flapping in the beautiful outdoor setting - as each masters the art of the pogo stick. Their fun over, the boys all head for home together.

Two guys strike camp and as they sleep shirtless a space ship lands near them. Scenes of the ship must have been appropriated from other films. They make breakfast, go exploring and wash in a stream. They change in the tent to shorts and go off for a hike. A guy in preposterous spaceman drag appears out of the bushes. He tries to communicate with them. Instead they throw stones at him. He paralyses them with a ray gun after which he approaches and touches them with his hand. When they start to thaw and defend themselves he freezes them again and rips their shorts off. Spaceman makes one of the campers jerk around. The motions include dick flopping and brief shots of foreskin retracting. The campers get free again and there is a struggle for the weapon. With a large handy camping mirror, they reflect the ray back and overpower the adversary. Still naked, the two put the poor guy in the tent and set it on fire with fuel.

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The high, snowy mountains are the setting for

this unusual science-fiction story which involves two boys on a camping trip. They unload their

gear, set up their tent and light a fire. Now it turns

night and the boys finish a cup of coffee and retire -

little knowing the events that are transpiring in the

nearby starlit skies. A flying saucer from another

planet is in trouble. It spins out of control, crashes to

earth and a body is thrown from this space vehicle.

Next day, the boys have breakfast and head for a long hike in the hills. Quite suddenly they come upon our man from outer space! He pleads for their help but

they can't understand him and begin to stone him.

Angered, he freezes them with his ray gun, tears off

their clothes and proceeds to freeze and unfreeze the

boys in strange positions. They finally manage to permanently unfreeze themselves and pursue the space-

man. But we're not going to reveal the dramatic and

spectacular ending to our tale. We can only promise

that this is a film you'll definitely want to keep in

your collection as one of the best and most unusual

nudist-type films of its kind. It's almost a 1/2 hour long.

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Of all the comedy nudist films ever made, this one has got to be the funniest! Taking place on "Fanny's Hill Nude Ranch" (a place in the sun to toast your bun), we find four boys (3 white & 1 negro) romping and playing on Fanny's Hill, rolling up and down, swinging double in a swing under a huge mountain oak and running through the tall wheat fields. There's also a sequence with a herd of cattle and a local cowboy.

But the fun really starts when Fanny herself calls the boys in from their frolicking and invites them to enjoy some free pie. There are a hundred different pies to choose from (really) and soon the boys are enjoying their favorite piece. An soon turns into pandemonium and, before we know it, pies are being thrown right and left and every one – even Fanny – is covered from head to toe with banana cream, chocolate, pineapple, cocoanut cream, cherry, strawberry and all sorts of delicious flavors. The melee continues until we reach our surprise ending which we won't reveal. Wild, slapstick fun-in-the-nude. A "must" for you film collection!

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Six fun-loving boys on a weekend and camp-out in the snow. Follow their outdoor and indoor activities, as they arouse each other - with fun and games in the nude. Photographed in & around a secluded mountain cabin --- far from civilization and prying eyes, the boys really let their hair down... as they romp about with each other - all nude, and ho holds barred.

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What started out to be a photo assignment for the first issue of "Naked Males" turned into a movie-making session with sex attractive young men romping about in the snow (anotehr"first") and engaging in indoor "activities" in a secluded mountain cabin. Pat Rocco recals that weekend assignment with much pleasure (hmmmm) and teh movie certainly reveals that the boys seem to be haveing a lot of "fun".

Sold in color and black/white.

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It is what happens when a young man has an unexpected visitor on a lazy afternoon. The two boys soon occupy their time with stripping nude, competitive acrobatics and a bit of wrestling. They top it off by giving each other a mutual rub down with baby oil. They have obviously enjoyed each others' company as they embrace and hug each other before parting.

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The action never stops in this wild film that starts on a merry-go-round and ends up with all the boys in bed together. In between there is a lawn tussle, undressing in a moving car and a nude swimming party. As mentioned before .... THE ACTION NEVER STOPS .............!

A most unusual film! Frankie romps in the park with his pregnant dog, "Venus" – then goes home, takes a shower and goes to bed.

In the middle of the night he is awakened by a strange noise. The pups are being born! With frankie acting as the "mid-boy", we see the entire birth of Venus' pups.

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Starting off on Hollywood Boulevard, a young man is passing out leaflets which are telling about a new "happening" in Griffith Park. A young football-player-type gets one and studies it. Then a cowboy gets one. Next, a trim handsome boy receives a copy of the leaflet. It says: "POSE NUDE IN THE SUN FOR HIPPIE OIL PAINTERS - TODAY - NO EXPERIENCE NECESSARY".

Each of the boys decides to give it a try and they get to Griffith Park by car, walking and hitchhiking. Shannon is our painter, and, as the boys arrive, he asks them to undress and then poses them for his oil painting. We see the oil painting progress from start to finish as the camera captures each of the boys in revealing closeups as they pose for the painting. When the work is completed, the boys leave together arm in arm. But this is not the end of our film! The last few minutes are devoted to a photographically delightful conclusion which we'll not reveal here. See for yourself!

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COMMENTS OF THE CRITICS:

"Rocco has genuine talent. His best film is the strangely disturbing THE PERFORMANCE. This pas-de-deux for two figures - one black, one white - builds an ambiguous sense of desire & dread through its movements of camera, of actors and by editing. It is not merely a sex or skin film, but a poesie which bursts the bounds of its conventions. THE PERFORMANCE is too good to be relegated to the male nude houses ... it is a sex act not easily forgotten ....."

RICHARD WHITEHALL

Los Angeles Open City

"THE PERFORMANCE is a surrealistic bombshell with overtones of revered racial symbols and play like a dream ballet. It is a disturbing picture on many planes .... and make Sidney Poitier's roles look like Uncle Tom playing opposite Mary Poppins. It is one of the most anti-wasp (white-anglo-saxon-protestant) picture I've ever seen ..............."

SAM WINSTON

Los Angeles Advocate

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Mike is discovered alone on a lonely beach. His mood is quiet and pensive as he is surprised and disturbed by a young man (Lee) who walks up next to him and smiles down. They boys greet and walk to a more secluded section of the beach. Lee persuades Mike to remove his clothes and they both stretch out and relax in the sun.

Now Lee makes a strange advance as he puts his hand on Mike's bare chest and starts to rub downward. Mike grabs Lee's hand and throws it off – realizing the homosexual advances Lee was about to make – and rises to dress and leave. Lee looks sullen and depressed as he realizes he made the wrong move and he walks behind a rock to watch Mike dress.

But Mike sees Lee. He sees the yearning expression on his face. A strange sensation comes over Mike. He walks behind the rock with Lee and looks deep into his eyes. A silent message is conveyed between the two boys. Slowly, Lee kneels in front of Mike ....... and Mike allows him to perform a sex act on him. The sea is a raging torrent. Their desires fulfilled, both boys begin to dress again.

But Mike feels ashamed and guilty for what he has allowed Lee to do. He finishes dressing and walks down to the water, waiting pensively. Lee joins him and the two once again look deep into each other's eyes and thoughts. Then Mike starts to walk away down the beach. We'll not reveal the ending to the story — but we promise that you'll thoroughly enjoy the entire film!

HERE IS WHAT THE LOS ANGELES CRITICS SAY.....

"... right away you sense something different... and then the world before you on the screen blows your mind wide open... and fragments of sympathetic beauty dazzle like the sun on the tinkling surf. The story is one of utter simplicity – a love store – the meeting of two human beings. But what astounds you is that Pat Rocco has a gift – the gift every artist prays for. He knows what to say and how to say it – he knows what to photograph and what to leave out. He senses the light – or the look in two clear eyes. He is in touch with beauty .........."

SAM WINSTON – Film Critic of the Los Angels ADVOCATE

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The first gay oriented film to be shown in a theater, it was screened at Sahn Sayles' Park Theater in Los Angeles, June 26th, 1968.

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The most wonderful happening in pat Rocco's films is the privilege the audience has of seeing an artist at work -- of seeing the first honest attempt to present the homosexual as he really is. Even Andy Warhol can't conjure up this trick!

A Matter of life is the timeless story of a homosexual stranded among the bronze stars on the sidewalks of Hollywood boulevard... looking for answers in the gutter and the sky. It's a hauntingly real drama that touches those parts of us that we would wish ho one to meddle with... but Pat Rocco touches with a hand we somehow trust...

Sam Winston, Film Critic of the Los Angeles Advocate.

A Matter of Life revolves around a day in the life of a hustler... and has a very sad ending. Mr. Rocco has succeeded in bringing something new to our screen. I am sure many of his films will become classics in the years to come...

The Los Angeles Magpie

Rocco's most ambitious film is A Matter of Life, which renders in philosophic terms the loneliness & degradation of a Hollywood male hustler... it is an interesting attempt (with almost no nudity except for a scene between the hustler and his trick in a motel room) to define a particular attitude of mind...

Richard Whitehall, Film Critic of the Los Angeles Open City.

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Leather boy Bill is discovered among the jagged rocks and swift-running streams of a high, mountainous setting. He wanders about aimlessly for a brief time and then suddenly comes face to face with a nude sunbather - Voldemar. The two look at each other and their mutual interest is obvious. bill begins to tenderly caress Voldemar's chest, stomach, legs and especially his buttocks. Voldemar relaxes and enjoys the leather boy's tender touches. then he rises and leads him to his secluded mountain cabin.

There he slowly and affectionately removes all his leather garments until the two boys stand there face to face ... nude ... yearning for each other ......! (Continued on film .......)

NOTE: "The beauty and love expressed in this film make it my personal favorite of all the films I have ever made."

..... PAT ROCCO

What the Los Angeles critics say;

"Yes" is a vignette of magical beauty. Mr. Rocco has discovered among the many models of Hollywood, a blonde talent named Voldemar – who has eyes which speak as eloquently as Rocco's camer. Together, in "YES:, they weave a spell in a story of encounter. This time it is a boy dressed in leather who discovers a sunbather (Voldemar). In wordless basic communication, the two perform the ultimate in drama – the telling of a story through movement. The scenes of the Leather boy caressing the blonde's body are exquisite under Mr. Rocco's direction. And when the Leather Boy puts his head next to Voldemar's chest .... the only breathing in the theatre is that of the two actors..."

SAM WINSTON - Film Critic of the Los Angeles Advocate

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In an ERA interview Rocco said that this was filmed at his cabin.

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Two magnetic personalities meet for the first time in this Bizarre Production as Voldemar teams up with newcomer Tiny Tom (in his very first film) in an appealing story that you will want to watch over and over .....

Our story begins in the freight yards as Tiny Tom arrives by "special coach" flees the watchman's glaring glances, reaches the street above the yards and begins to hitchhike into town. As luck would have it, Voldemar is the one who picks him up, and, instead of going straight home, they stop off at a nearby park and Voldemar takes him for a boat ride. They are obviously mutually attracted to each other as they leave the park - running hand in hand.

Another stop off on a deserted dirt rood finds them romping and playing in the tall grass as Voldemar finally pins Tiny Tom to the ground. Now the mood turns serious as the boys look at each other very affectionately and proceed to undress each other. The film ends as the boys seal their new-found friendship with a long ... lingering ... kiss. Need we say more?

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Somebody had to break the ice—but it was Pat Rocco who finally did it. "A VERY SPECIAL FRIEND" became the first film to feature a long, lingering, passionate kiss between two boys. The kiss lasted a full minute on the screen and Rocco, his attorneys, the theatre manager, and even the ushers all expected to be arrested any minute. But nothing happened, and this fine film set the precedent for all future male filmmakers to follow.

—and the reviewers went wild—

"The most mind-blowing event of the evening was when Rocco (when everyone else always chickened out) had the honesty to present two males kissing. It was revelation and a lifting of the old burden of guilt borne too long by homosexuals as natural loving people. "A Very Special Friend" was my favorite of the evening . . ."

Sam Winston and J.R.

Los Angeles ADVOCATE

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Introducing an 18-year-old newcomer to the roster of handsome, young Bizarre Productions Boys, "The Sailor and the Leather Stud" co-stars Jimmy Reese. Playing the part of a sailor, he disrobes in a secluded spot and stretch out in the midday sun.

His discarded uniform is discovered by our Leather Boy (Duane Ferguson – a popular Bizarre Productions Model). Duane walks up to Jimmy – and Jimmy persuades Duane to disrobe his leather garments ... (even his leather underwear)! Then Duane gets a bright idea as he pulls out a jar of Vaseline from his pocket. Jimmy seems to understand the meaning of this ..... and both boys walk to a shady, secluded spot and (?????) .... the rest you'll have to see for yourself!

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This is a gripping story of two young car racing enthusiasts. It begins with an exciting car race as the boys whiz along a deserted mountain road and finally reach their prearranged "finish line". It looks like the boys might get into a real fight .... but their moods change as they walk off arm in arm to a quiet mountain stream.

When one of them accidentally falls into the stream, they decide to disrobe and take full advantage of the warm sun & the cool, rippling waters. Their excellent physiques are magnificently displayed in this sequence as they finish their swim and sit on a nearby rock ... cementing their newfound friendship with affectionate touching and looks.

The film ends as we find the boys completing work on a new race car that they've built themselves. Starring in this film is Danny Combs (the winner of "The Groovy Guy" Contest in Los Angeles – and he really is groovy) along with Arnie Castelli.

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Taking place on "Tom Sawyers Island" in a famous amusement center, Ron and Chuck chase each other through the woods and then, out of breath, fall into each other's arms. A new sensation thrills them with this body contact – and Ron slowly takes Chuck's hand and leads him into a private area where no one will see them together.

What follows is one of the most beautifully photographed sequences ever presented in a Pat Rocco Film and the boys embrace and hiss in a double-exposed, clothed and unclothed montage that will absolutely take your breath away. It is a new kissing sequence unlike anything you've ever seen!

We highly recommend this film as the finest representation in our Catalog. Whatever you do, don't pass this one up! You'll want to run it over & over and you will find new thrills & excitement with each showing!

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Pat Rocco presents two new "discoveries" as John Helm & Boby Nelson play the leading roles in this adventure in friendship that turns to love. John has just received a "dear John" letter from his girl friend, and another note asking him to meet his friend Boby after school.

As John parks at the foot of the school steps, Boby appears at the top of the steps and runs joyously to meet his friend. They both hop in the car and head for the beach where a blanket is set out and Boby runs down to the water. As John relaxes on the blanket, he is obviously troubled about his problems with his former girl friend and doesn't see Boby staring at him with a very longing look that spells new interest in his old friend. Then Boby joins John on the blanket and after a friendly tussle with a can of beer, the somber mood is broken as the boys run for a quick dip in the ocean and return, exhausted, to the blanket.

Once again Boby looks seriously at John and John reaches for his clothes and goes behind some bushes to change. While changing he discovers Boby watching him from behind another bush. The idea of what is on Boby's mind finally reaches John as they stand there, naked, staring at each other. Boby approaches John, puts his arms around him ... then kneels to the ground in front of him. We won't reveal the exciting and dramatic conclusion to our story - but we promise that you'll not be disappointed!

A truly beautiful love story, beautifully portrayed by two remarkably attractive young men.

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Bringing back popular Bizarre Production's model Jason to the screen is this new hit film, Leonard da Jason. You'll remember him from Double Exposure and the wild Dance of the Sex Orgy.

In this new film, Jason turns house painter and he really botches up the whole mess. By means of unusual "fast motion" trick photography, he manages to paint an entire room and his entire body in a remarkably short span of time.

So Here's another "fun" hit movie from cute, lovable Jason that you will enjoy adding to your collection of "Bizarre Movies with Jason".

Bennett Surf makes a return appearance for bizarre Productions with handsome newcomer Jim Burke in a story of love discovered in a high school boys' locker room. The two boys meet on the Athletic Field, enjoy some "field play" together and head then for the showers.

Jim allows Bennett to wash him all over, but when Bennett starts to dry him off in the locker room, the towel is forgotten as he begins to caress Jim's well-developed body. Jim grabs Bennett, then loosens his grip as he draws Bennett to him for a long, lingering kiss.

Then he takes Bennett's head and pushes it downward ...... you will have to see the film ..... to find out what happens next ..... and how it all ends!

COMMENTS OF THE CRITICS:

"Of the two films from the program, "Early Rocco", that I considered erotic, one seems worthy of special mention. It was called "WANTED", It involved two young lads, one a track athlete going through his paces and the other watching him from the empty stands. They meet, and there is an air of sensitivity and painful honesty about the film. They shower together, dry off, and our track star goes down on his new-found friend.

I must admit it was the most convincing scene of its type that I have seen to date. There was even a real-looking erection. It was both erotic and sensual – without a trace of saccharine (or cyclamates even) and it proved to me that Rocco really has substance, and, for the want of a better work – style. On the whole, may I humbly suggest you check out Rocco's works – be they early or late. Unless your ass is where your nose should be and vice versa, I think you'll be favorable impressed. Surely with the egregiously obvious hand holding going on between Hollywood and the hard/core dollar, Rocco is offering something different..."

IAN J. TREE

GAY Newpaper – New York

We go "down to the sea in ships" in this seaworthy epic as Greg sets sail on his yacht, going under a double drawbridge, passing the Queen Mary and heading out for the ocean waters. He disrobes and displays his splendid physique and then spies a small craft adrift in the middle of the sea with one lone survivor.

After dragging him aboard, he takes him to his cabin, strips him and applies mount-to-mouth resuscitation. but a new interest has come to Greg's mind as he straddles the nude, unconscious body. This "new interest" is described in graphic pictorial detail ....... which you will have to see and enjoy for yourself when you order this film!

In his second feature length film, Pat Rocco traveled to Rio de Janeiro for a setting of mirth and merry-making at Carnival time. The story line concerns itself with sixteen year old Marco Antonio and his friends Francisco and Bruno. Marco takes us on his own personal tour of Rio: the carnival, the beach, his friends, etc., as well as a secluded look into his bedroom activities. There's a wild montage sequence of Marco and Bruno, a three-way bedroom scene that would turn on the most jaded individual, and a love scene with Charley that is seduction at its best. All in all, this movie presents a colorful and personal look into the affairs of the free-living boys of Rio.

This is a cut version of Pat Rocco's feature length film shot entirely in Brazil. It includes some of the more daring "bedroom scenes" between Marco, his lover and his friends ... that must be seen to be fully appreciated.

"The nude scenes are beautifully photographed, tastefully presented, and down-right fun to watch. These are played with great flourish by Marco Antonio and his friends including a surprisingly handsome by, Bruno Gillho."

Scott

MAGPIE Magazine

"Marco of Rio" is the second feature by 16mm filmmaker Pat Rocco, and the first homosexual travelogue. It confirms the earlier promise of a film artist whose work transcends the limited demands of its prescribed exploitation market."

John Mahoney

HOLLYWOOD REPORTER

". . . A unique travelogue . . . photographed from refreshing new angles. Judging from "Marco of Rio," Brazil is populated exclusively by sixteen-year-old slim, deeply tanned males wearing tentatively and temporarily soul-revealing mini-bikinis."

Jay Ross

Los Angeles ADVOCATE

"Fully professional travelogue is all the more exciting for gay audiences because Pat Rocco knows so well where to point his camera. Except for that superb Brazilian film "Black Orpheus, we haven't seen a more dazzling, more enticing view of the carnival."

Jim Kepner

AVANTI MAGAZINE

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Ron & Alan are discovered on a busy street corner and are obviously breaking up their long love affair. Ron returns to his apartment and resorts to masturbation while thinking of his sexual experiences with Alan (all of this is described pictorially in the daringly beautiful masturbation sequence). After reaching a climax, he decides to shave, change and go out for the evening to shake Alan from his mind.

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Alan Dark had starred in three other films for Pat Rocco when he was called to co-star with Ron Dilly in a wild new story called "The End." it turned out to be a perfect match, as Ron and Alan worked together to complete a film that included scenes of strenuous dancing, masturbation, kissing, physical love-making, a way-out dream sequence, and death. They handled their difficult acting chores like seasoned troupers, and the result was a film that became another "first" for the filmmaker who was already heading the field in making the best male films. Besides having an original score written by a top-rate rock group called "rainbow, an entire all-male night club and its customers were commissioned to play a major part in the film. Reviewers were unanimous in their response to the film that broke all the barriers of convention and set a new trend in male films. Cries of "great," "fantastic," and "genius" were not uncommon from audience and press alike. All this in a thirty-two minute film that contained not one word of dialog. This was truly another Gold Star production for Pat Rocco.

Promo:

Ron wanders along the busy Sunset Strip and finally ends up in a gay bar, "The Patch". At the crowded bar he is given consolation by the bartender (played by Lee Glaze) who introduces him to a beautiful young boy and persuades them to go out on the dance floor. Ron dances with many boys ... but visualizes Alan in every one of them. Finally his mind expands as he visualizes himself dancing with Alan nude. All the other boys on the dance floor are also nude in a dazzling sequence that will blow your mind. But we cannot reveal the ending here ... it's a SHOCKER!!

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Alan Dark had starred in three other films for Pat Rocco when he was called to co-star with Ron Dilly in a wild new story called "The End." it turned out to be a perfect match, as Ron and Alan worked together to complete a film that included scenes of strenuous dancing, masturbation, kissing, physical love-making, a way-out dream sequence, and death. They handled their difficult acting chores like seasoned troupers, and the result was a film that became another "first" for the filmmaker who was already heading the field in making the best male films. Besides having an original score written by a top-rate rock group called "rainbow, an entire all-male night club and its customers were commissioned to play a major part in the film. Reviewers were unanimous in their response to the film that broke all the barriers of convention and set a new trend in male films. Cries of "great," "fantastic," and "genius" were not uncommon from audience and press alike. All this in a thirty-two minute film that contained not one word of dialog. This was truly another Gold Star production for Pat Rocco.

This is listed as part of A Pat Rocco Happening but not found in any Rocco literature.

From the Sam Watson review: "the story of an ugly duckling transformed into a beautiful free spirit."