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Gay Erotic Video Index
WARNING!
This site offers sexually explicit
adult content. Images and text contained on this site are adult in
nature, depicting sexuality that may, by some, be considered
objectionable and that may
not be viewed by anyone under the age of majority.
In a white room with a gold-framed blue boat picture on a green matte, around a small circular brown table, Vinny Lopez (white, average build, dark blue horizontally-striped short-sleeved shirt, big green, red, and blue tattoo on right hip) and Mauricio (brown, tall, slim, dark blue short-sleeved shirt with white horizontal stripe and white collar, white bead necklace, starburst tattoo around navel) are sitting on bentwood chairs and jacking; Mauricio sucks Vinny; they continue on a white bed with a rounded tan headboard with four vertical grooves; Vinny tops Mauricio in missionary position and on his knees.
In a corner between brown-stained pine board walls, on a single bed with a horizontally-striped blue, yellow, and white cover and a navy blue pillow, under a double white window with venetian blinds, two unidentified young white models (Dakota Banks and Johnny Reese?): they 69; the model with glasses, left bracelet, and triangular tattoo on left back, bottoms prone and in missionary position.
In a white-walled living room, in front of a white-tile fireplace and white mantel with a black clock and vases of red and white flowers, Damon West (short black hair, white t-shirt, left black wristwatch) and Seth Robinson (longish floppy dark blond hair parted in the middle and down on his forehead, black tank-top with yellow letters, earrings) undress each other; Seth kneels and sucks; they switch, Damon kneels and sucks; Damon lies back on a white towel on a dark gray-green armchair with ottoman while Seth sucks; Damon stands and tops Seth from behind as Seth bends over the ottoman, then in missionary position on the ottoman.
Note: All names credited on this website, whether for
performance or production should be considered fictional stage names.
Any resemblance to actual persons, living, dead or otherwise, is
purely coincidental.