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Gay Erotic Video Index
WARNING!
This site offers sexually explicit
adult content. Images and text contained on this site are adult in
nature, depicting sexuality that may, by some, be considered
objectionable and that may
not be viewed by anyone under the age of majority.
Al Parker, alone in his van, turning himself on with his muscular, naked body and super big tool, finds he's not as alone as he tough, but he doesn't seem to mind being man handled completely. This is your chance to get a real close up look at this sensational man's man.
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Imagine AL PARKER alone in his gypsy van, turning himself on with his muscular, naked body and super big tool. but he's not as alone as he thinks. Al really gets going, with a little help from his friends, as our ruthless lens explores every crack and cranny of his magnificent body. This is your chance to get a real close-up look at this sensational man's man.
In their garage, Body Builder Big Max and blond, butch Bruce Craig are asked by their buddy, Tom Blake, to check out his truck. The only things that seem to get fixed are the mechanics. By the end of the film it's the stud mechanics that are a quart low.
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From its first scene (inspired by Ziegfeld) to its last (shades of Romulus and Remus), "GREASE MONKEYS" is quite a trip! In their garage, BIX MAX and BRUCE CRAIG are asked by their buddy TOM BLAKE to check out the rods on his four-wheel drive. Before long, everything gets checked out and approved as these three hot honchos really get a lift on the rack!
Sipping chilled wine, BOB RANDALL relaxes in his steaming, outdoor hot-tub and hungrily awaits an old friend. Soon after MOOSE arrives, he strips and joins the party in the swirling bubbles (as the temperature rises so will you!). You might say this film comes to a bang-up finish while these eager studs renew their relationship.
John W. Rowberry. Gay Video: A Guide to Erotica. : Mark-One, 1986 pg. 35
Note: All names credited on this website, whether for
performance or production should be considered fictional stage names.
Any resemblance to actual persons, living, dead or otherwise, is
purely coincidental.